The image of flora and fauna painting in batik craft
Phenomena in ubud, bali
Keywords:
Representation, Pengosekan’s flora and fauna paintings, Batik crafts, Ubud, BaliAbstract
The high consumer interest in Pengosekan’s flora and fauna paintings of the 1980s was one supporting factor for representing this painting in several arts and crafts in the Gianyar region. The craft representing themes, techniques, and visual objects of Pengosekan’s flora and fauna painting, is the art of batik craft in Ubud district. This research reviews explicitly the process of this representation, the underlying factors, and the socio-economic impacts on the supporting community. This qualitative research uses aesthetic and representation theories to uncover research problems. The results show that the visual objects of Pengosekan’s flora and fauna paintings are represented in batik art products in Ubud district, as seen in themes, techniques, and visual objects attached to these batik art products. The representation is influenced by the painting image of Pengosekan’s flora and fauna as a trendsetter of art products. Moreover, it is also supported by the artisans’ motivation to create innovative forms of their products. Some of these factors are inseparable from the influence of tourism development and the developed market at that time.
Downloads
References
Adnyana, I. W. (2015). Arena Seni Pita Maha: Ruang Sosial dan Estetika Seni Lukis Bali 1930'an. Panggung Jurnal Seni Budaya Vol.25, No.3, 249-263.
Adnyana, I. W. (2018). Pita Maha: Gerakan Seni lukis Bali 1930-an. Jakarta: Kepustakaan Populer Gramedia.
Antara, M., & Sumarniasih, M. S. (2017). Role of tourism in economy of Bali and Indonesia. Journal of Tourism and Hospitality Management, 5(2), 34-44.
Graburn, N. (2000). Tradition, Tourism and Textile: Creativity at the Cutting Edge. In M. H. (ed), & W. Nuryanth, Building on Batik. The Globalization of a Craft Community (pp. 338-353). Burlington: Ashgate.
Hakim, L., Kim, J. E., & Hong, S. K. (2009). Cultural landscape and ecotourism in Bali Island, Indonesia. Journal of Ecology and environment, 32(1), 1-8.
Hall, Struart. (1997). The Work of Representation. Theory of Representation. London: Sage Publication.
Martana, S. P. (2002). The impact of tourism on the development of Ubud painting art. ASEAN Journal on Hospitality and Tourism, 1(2), 117-132.
Purnamasari, N. P. (2022). Identifikasi Karakteristik Seni Lukis Flora dan Fauna Pengosekan Pada Seni Kerajinan Batu Padas di Desa Singapadi. MUDRA Jurnal Seni Budaya Volume 37, Nomor 1 Februari , 69-77.
Setyowati, R. M., Watie, E. D. S., & Saptiyono, A. (2020). Representation of Disability Achievements in Television Talk Show Programs. The Messenger, 12(1), 40–51. https://doi.org/DOI: 10.26623/themessenger.v12i1.1587
Vickers, A. (2022). Creating heritage in Ubud, Bali. Wacana, Journal of the Humanities of Indonesia, 20(2), 4.
